Viviane Forrester, who died Tuesday, April 30 at the age of 87 years, never complained. So most of his friends did not know she was fighting against cancer. Similarly, the misfortune that was the suicide of one of his two son, she spoke little, and with great modesty. As soon as she confided, smiling, that the success of Economic Horror, in 1996, allowed him to get out of a difficult financial situation – she had not said a word. And though in his own way, she refused all his funeral ceremony, wishing to avoid the tears to those who loved and kept, as it always has, false grief hypocrites.
Novelist, essayist, she was an avid reader. Literary fortnight, Le Nouvel Observateur, Le Monde had the chance to publish his articles. Meetings of the “World of books” – it’s worked steadily since the early 1990s – was appreciated as a scholarship in the Anglo-Saxon area its always curiosity aroused, and his spirit never conventional. Viviane Forrester was born September 29, 1925 into a wealthy Jewish family. It was beautifully told in tonight after the war (ed. JC Lattes, 1992) how at age 15, the exodus of young luxury Viviane Dreyfus, the carefree early days in the south of France, followed the sudden be more French than Jewish consciousness ease: “The scum of the earth, it was us.”
ELEGANCE AND STYLE OF THINKING
Already, ten years before, in the bridle Aisles (Acropolis, 1982), a novel, but also biography of her mother, Viviane Forrester evoked the birthplace – where Debussy lived and composed at leisure, and where he died. And the girl she had been blessed by a loving Italian nurse, but living so to speak away from her parents, she was waiting for the passage at night in the nursery. She had never divorced painter John Forrester, although they separated after a few years together it evokes in what she published her diary, Rue de Rivoli – 1966-1972 (Gallimard, 2011). A couple of artists, nonconformists. Together without being really, except when their friends come, because he painted it and, who says he knew from an early age that she would be a writer, working on his first texts.
This is a first novel she publishes Thus exiles (Gallimard, 1970). But it is his essay on Virginia Woolf (Literary Fortnight, 1973), which, by its relevance and elegance of style and thought, gives her stature. Then come Violence calm (Threshold, “Fiction & Cie”, 1980), and a very subtle book on Van Gogh, Van Gogh or burial in wheat (Threshold, “Fiction & Cie” 1983 Prix Femina Vacaresco). “We never pushed too far exploring what was Van Gogh,” had written the historian Georges Duby in Liberation. After several novels, including The Game daggers (Gallimard, 1985) and The Eye of the Night (Grasset, 1987), Viviane Forrester was elected jury Prix Femina in 1994. Some may have believed, so we knew the irreverent and rebellious, she had calmed down. They were wrong.
In 1996, she returned, in a field where we did not expect, with an essay, The Economic Horror (Fayard, Prix Medicis test). “It was necessary that this book is a work of art and not, as the ease and advertising produce both a written circumstance intended to serve as a springboard for television appearances, wrote Pierre Lepape in his series of” World of books. “L Economic Horror is not a newspaper swollen to the size of a book. We can always make summaries and caricatures, to reduce theses and themes in the arguments and demonstrations, we miss the basics: less ideas than flesh and emotion where they are born, the thickness and strength of words that carry them, but the truth of the intuition that illuminates (…) Viviane. Forrester writes follies, all economists will tell you, their numbers against his letters starting with this madness then, the hugest, most against the tyranny of common sense which is the custom:. working n ‘ is the foundation of our society, it is now a great lure, a carefully maintained illusion, for the power of the few and the misery of a crowd that does not stop and will not end grow. Our economic system, now extended to the whole world, needs an ever decreasing number of workers. ”
All experts Decha? Born against this book. Between misogyny and contempt for literature who dares talk about the economy, nothing has been spared Viviane Forrester, who faced with guts. Aided by the book’s success. This sounded by a woman committed against the world as it is wrong, hit a huge audience: more than 350,000 copies sold in France, thirty translations. And, Viviane Forrester, an international tour. Despite the criticism, often abusive, Viviane Forrester continued to reflect on these issues. She was not afraid to go face to Davos in 1998, experts who were highly critical. Before publishing, in 2000, a strange dictatorship (Fayard), a critique of ultra-liberalism, in which she wrote in part: “Every day, we witness the fiasco ultraliberalism Every day this ideological system based on the. dogma (or fantasy) of a self-regulated market economy itself, demonstrates his inability to manage itself, to embroidered l it generates, to master it Decha? do. ”
And she heard do it again, since preparing a sequel to these two trials, The Promise of the worst, it was published in January 2014 at the threshold, and remains unfinished. Meanwhile, after the Western Crime (Fayard, 2004), where she studied the attitude of Western democracies with regard to the Israeli Palestinian conflict, she returned the heart tee Virginia Woolf, to give a splendid biography (Albin Michel, 2009 Prix Goncourt for biography). She describes in detail the contradictions Woolf. People contradictory Viviane Forrester was too, and that’s what made it so attractive.
See more about: home espresso machine reviews